How many lenses do you really need for landscape photography? I really believe that two lenses is enough for the vast majority of landscape photography, and that that, the less gear we haul up a mountain with us, the lighter we travel, the clearer our mind is to make images when we get to our destination.
Back in June and July I ran a two eight day workshops in Iceland, home to some of the most dramatic and photogenic landscapes on the planet. It's always a pleasure to return to Iceland, and showing it to people on a workshop for the first time, seeing people just go "wow, what an amazing place" is one of the best parts of my job.
Last month I spent around 3 weeks in Iceland running a couple of landscape photography workshops there. Between the two workshops we had a day off and along with a couple of the participants, I decided to take the opportunity to do a photography flight above the river deltas and highlands. It's something I've wanted to do for a couple of years and it really didn't disappoint.
I borrowed the Fujifilm X-H1 last month and spent a week shooting with it in Tuscany comparing it with the X-T2, my usual landscape camera. This isn’t an in-depth review of all the cameras specifications and features, rather I focused on the practical differences I noticed between the two cameras while using them in the field.
I’ve just returned from leading a workshop in the gorgeous rolling hills of Tuscany and next month I’ll be in Iceland to lead two workshops in some of the most stunning landscapes in the world. However, when I’m not travelling I often lead small or 1-to-1 workshops in my home city of Lisbon and on the coast here.
Back at the beginning of March I headed to the Lofoten Islands in northern Norway with Kostas and Konstantinos, my colleagues from Light Explorer Photography Workshops, to spend some time shooting in this incredible place. There’s something about snow covered landscapes that’s so incredibly evocative, especially since where I live in Lisbon winter just means grey clouds and rain.
Earlier last month I took the Fujifilm X-E3 with me on my trip to northern Norway’s Lofoten Islands to put it through it’s paces shooting landscapes. The X-E3 is a really similar camera to the X-T20 and recently I’ve been getting a few questions about which to get and what the differences are, so after Fujifilm kindly offered to lend me one I took the X-E3 with me on the trip in place of my usual X-T20.
Kicked off 2018 with my first workshop of the year the other week. It’s going to be an exciting year with workshops in Tuscany, Iceland and Italy, as well as trips to Lofoton, and possibly more, planned so far. I always enjoy meeting new people and sharing locations and photography tips with workshop participants is one of the best parts of the job. This time it was a local workshop with some time spent shooting on the west coast, a sunrise at Vasco da Gama bridge and then some street shooting around the old neighbourhood.
Back in the autumn Teresa and I spent two weeks in the Dolomite mountains amongst some of the most beautiful landscapes in Europe. The gateway airport is Venice, a 2 hour drive away from Cortina d’Ampezzo, and it seemed silly to pass through the airport and not spend any time in the city. I’d never actually spent any time there, and Teresa had been there back when she was inter-railing in her 20s, so we booked a few nights in a hotel there after we returned from shooting in the mountains.
Back in the autumn I spent a couple of weeks travelling in the Italian Dolomites, some of the most beautiful mountains in Europe. I’d planned the trip at this time of year as late September/early October is when the trees are starting to turn golden and when the tourist season has passed leaving the trails and many of the more popular locations empty.