Earlier last month I took the Fujifilm X-E3 with me on my trip to northern Norway’s Lofoten Islands to put it through it’s paces shooting landscapes. The X-E3 is a really similar camera to the X-T20 and recently I’ve been getting a few questions about which to get and what the differences are, so after Fujifilm kindly offered to lend me one I took the X-E3 with me on the trip in place of my usual X-T20.
The Fujifilm GFX 50S really is a game changer for Fuji. A medium format mirrorless camera, it combines the company’s heritage of classic medium format film cameras like the G690, GS645 and G617 with their retro mirrorless digitalX Series. It’s a fascinating combination and makes sense for a company like Fuji to fuse their decades of experience of medium format film systems with their brilliant mirrorless digital cameras to create a large mirrorless medium camera system that targets users of professional full frame systems like the Nikon D810, the Canon 5DR and the Sony A7R2.
First off, this isn’t really a review, it’s more an overview of how I feel about the camera after using it since it arrived in November. After 4 months I feel I’ve got to know the camera pretty well, but like my blogs about the X-T1 and X-T10 when I first switched to Fuji, this is in no way meant to be a technical review or a full look at every one of it’s features. There are plenty of those already on the internet, DPreview has probably the best in depth technical review of the camera and all it’s features. Instead I’ll focus on the improvements over the X-T2 that I’ve found particularly useful, and how the camera feels to use for landscape and travel photography.
A little background to start: It’s been about a year an a half since my switch from Nikon to Fuji, and over those 18 months I’ve been constantly impressed by pretty much everything about the Fuji X System and Fujifilms approach to their cameras and lenses.