Early in the summer I was in Iceland running a couple of workshops. The first was around Iceland’s famous ring-road but the second saw us switch to a modified Land Rover Defender and head into the depths of the Highlands.
Back in June and July I ran a two eight day workshops in Iceland, home to some of the most dramatic and photogenic landscapes on the planet. It's always a pleasure to return to Iceland, and showing it to people on a workshop for the first time, seeing people just go "wow, what an amazing place" is one of the best parts of my job.
I'm really excited to announce that I'll be teaming up with Jonas Paurell of Vagabond Expeditions to run a photography expedition to the Arctic Circle in February next year. We'll be using dog sleds, snow-mobiles and snowshoes to explore Swedish Lapland, meeting the semi-nomadic reindeer herding Sámi communities and experiencing the northern lights in this incredible winter landscape.
I’ve just returned from leading a workshop in the gorgeous rolling hills of Tuscany and next month I’ll be in Iceland to lead two workshops in some of the most stunning landscapes in the world. However, when I’m not travelling I often lead small or 1-to-1 workshops in my home city of Lisbon and on the coast here.
Back at the beginning of March I headed to the Lofoten Islands in northern Norway with Kostas and Konstantinos, my colleagues from Light Explorer Photography Workshops, to spend some time shooting in this incredible place. There’s something about snow covered landscapes that’s so incredibly evocative, especially since where I live in Lisbon winter just means grey clouds and rain.
Kicked off 2018 with my first workshop of the year the other week. It’s going to be an exciting year with workshops in Tuscany, Iceland and Italy, as well as trips to Lofoton, and possibly more, planned so far. I always enjoy meeting new people and sharing locations and photography tips with workshop participants is one of the best parts of the job. This time it was a local workshop with some time spent shooting on the west coast, a sunrise at Vasco da Gama bridge and then some street shooting around the old neighbourhood.
Composition is one of the most important aspects of creating good photographs...and because of it’s abstract nature perhaps one of the trickiest to understand. Just what is the best way to arrange the various separate elements of a three dimensional scene into an effective and cleanly composed two dimensional image?
Back in the autumn I spent a couple of weeks travelling in the Italian Dolomites, some of the most beautiful mountains in Europe. I’d planned the trip at this time of year as late September/early October is when the trees are starting to turn golden and when the tourist season has passed leaving the trails and many of the more popular locations empty.
After months of work we've finally launched the new Light Explorers Workshop website. Light Explorers is a landscape photography workshop company I run with my two fellow landscape photographers Konstantinos Vasilakis and Kostas Petrakis, and this year we've been putting together four workshops to some truly locations in Italy and Iceland which we'll be running in 2018.
Street photography is for me one of the most trickiest aspects of photography to do well. It’s one of those things that seems so simple until you try to do it. The best street images create curiosity in the viewer, there’s the suggestion of a narrative; who is this person, what are they doing, etc, and also there’s a clarity and simplicity of composition that’s incredibly difficult to achieve when photographing complicated and dynamic city streets.
In a country of truly beautiful landscapes, the interior highlands of Iceland offers perhaps the most stunning scenery in the country. Surrounded by glaciers penned in between mountains, it’s a constantly changing alien landscape of black deserts, colourful rhyolite hills, snow-capped mountains, moss covered peaks, crater lakes and plunging waterfalls. After my first trip there 5 years ago whet my appetite I’ve always wanted to go back and explore it more.
Iceland is one of those countries that must be near the top of most Photographer’s bucket list, it has such a diverse range of incredible landscapes that it’s just a pleasure to go there to shoot. On my first visit about 5 years ago I tried to get around as much of the country as possible, spending a couple of days in the highlands, in the southeast, in the north and in the westfjords. It was a great trip, but Iceland has incredible changeable weather and for large parts of the trip I never saw the sun or had any decent light.
Tuscany is one of those iconic landscape locations I’d longed to photograph since I first saw pictures of it in the first photography books I ever bought. It was one of the first photography trips I ever made back in 2009 and I immediately fell in love with the area. It’s a beautiful rural landscape, all gentle rolling hills, vineyards and medieval hilltop towns, and so I was excited to be heading back there again this spring with two good friends and fantastic photographers Konstantinos Vasilakis and Kostas Petrakis. We’ll be running a workshop there next year, so our plan for this trip was to finalise all the practicalities and ensure that everything we needed was in place, but of course we also intended to do plenty of photography.