I love the Dolomites. The jagged spires and peaks are my favourite landscape to photograph and every time I’m back there I find new inspiration. Photographing these same mountains blanketed in winter snow was something I’d wanted to do for a long time
Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
Back in June and July I ran a two eight day workshops in Iceland, home to some of the most dramatic and photogenic landscapes on the planet. It's always a pleasure to return to Iceland, and showing it to people on a workshop for the first time, seeing people just go "wow, what an amazing place" is one of the best parts of my job.
Last month I spent around 3 weeks in Iceland running a couple of landscape photography workshops there. Between the two workshops we had a day off and along with a couple of the participants, I decided to take the opportunity to do a photography flight above the river deltas and highlands. It's something I've wanted to do for a couple of years and it really didn't disappoint.
Back at the beginning of March I headed to the Lofoten Islands in northern Norway with Kostas and Konstantinos, my colleagues from Light Explorer Photography Workshops, to spend some time shooting in this incredible place. There’s something about snow covered landscapes that’s so incredibly evocative, especially since where I live in Lisbon winter just means grey clouds and rain.
Kicked off 2018 with my first workshop of the year the other week. It’s going to be an exciting year with workshops in Tuscany, Iceland and Italy, as well as trips to Lofoton, and possibly more, planned so far. I always enjoy meeting new people and sharing locations and photography tips with workshop participants is one of the best parts of the job. This time it was a local workshop with some time spent shooting on the west coast, a sunrise at Vasco da Gama bridge and then some street shooting around the old neighbourhood.
Back in the autumn Teresa and I spent two weeks in the Dolomite mountains amongst some of the most beautiful landscapes in Europe. The gateway airport is Venice, a 2 hour drive away from Cortina d’Ampezzo, and it seemed silly to pass through the airport and not spend any time in the city. I’d never actually spent any time there, and Teresa had been there back when she was inter-railing in her 20s, so we booked a few nights in a hotel there after we returned from shooting in the mountains.
Composition is one of the most important aspects of creating good photographs...and because of it’s abstract nature perhaps one of the trickiest to understand. Just what is the best way to arrange the various separate elements of a three dimensional scene into an effective and cleanly composed two dimensional image?
Back in the autumn I spent a couple of weeks travelling in the Italian Dolomites, some of the most beautiful mountains in Europe. I’d planned the trip at this time of year as late September/early October is when the trees are starting to turn golden and when the tourist season has passed leaving the trails and many of the more popular locations empty.
After months of work we've finally launched the new Light Explorers Workshop website. Light Explorers is a landscape photography workshop company I run with my two fellow landscape photographers Konstantinos Vasilakis and Kostas Petrakis, and this year we've been putting together four workshops to some truly locations in Italy and Iceland which we'll be running in 2018.
My first Fuji camera back in 2015 was the X-T10 which I bought at the time with the intention of using as a back up camera to my Nikon D800E. I was immediately impressed with what a pleasure it was to use and how good the image quality was. It also struck me that it was laudable of Fuji to give exactly the same sensor and image quality from their flagship cameras to a lower end model.
In a country of truly beautiful landscapes, the interior highlands of Iceland offers perhaps the most stunning scenery in the country. Surrounded by glaciers penned in between mountains, it’s a constantly changing alien landscape of black deserts, colourful rhyolite hills, snow-capped mountains, moss covered peaks, crater lakes and plunging waterfalls. After my first trip there 5 years ago whet my appetite I’ve always wanted to go back and explore it more.
Iceland is one of those countries that must be near the top of most Photographer’s bucket list, it has such a diverse range of incredible landscapes that it’s just a pleasure to go there to shoot. On my first visit about 5 years ago I tried to get around as much of the country as possible, spending a couple of days in the highlands, in the southeast, in the north and in the westfjords. It was a great trip, but Iceland has incredible changeable weather and for large parts of the trip I never saw the sun or had any decent light.
Tuscany is one of those iconic landscape locations I’d longed to photograph since I first saw pictures of it in the first photography books I ever bought. It was one of the first photography trips I ever made back in 2009 and I immediately fell in love with the area. It’s a beautiful rural landscape, all gentle rolling hills, vineyards and medieval hilltop towns, and so I was excited to be heading back there again this spring with two good friends and fantastic photographers Konstantinos Vasilakis and Kostas Petrakis. We’ll be running a workshop there next year, so our plan for this trip was to finalise all the practicalities and ensure that everything we needed was in place, but of course we also intended to do plenty of photography.