I’ve been using the Fujifilm XF16-80mm for over a year now and taken it with me all over the world. It’s probably the lens that I get asked most about so here are my thoughts on how it performs as a landscape and travel lens.
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I took the Fujifilm XF150-600mm telephoto lens to Namibia and South Africa to put it through it’s paces shooting distant landscapes. Thanks to Fujifilm Portugal for letting me borrow it.
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I’ve been using the new Fujifilm X-S20 for the last week around Lisbon. It’s an update of the X-S10, a camera I really like and still use it today for my videos. Thanks to Fujifilm Portugal for letting me borrow it.
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I’ve had the new Fujifilm X-T5 for a couple of weeks now, and in this review I’ll give my thoughts on Fuji’s update to the X-T4 and how it compares with the flagship X-H2 cameras. *Actually the camera does feature F Log 2 video recording. **Apologies for the occasional dropping of focus. I was using my X-S10 and hadn’t set the auto focus settings correctly.
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I've been using the Viltrox 13mm f1.4 for a couple of months now for landscape photography. In this review I look at how good it is for landscapes, and also for shooting astro or aurora.
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I took the 16-55mm with me on a recent trip to the Dolomites to put it through it’s paces for landscape photography. Usually I’m not a huge fan of mid range zooms, but I really enjoyed using this lens.
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I'm a huge fan of using telephoto lenses for my landscape photography, and I've been curious about the XF100-400mm for a long time, so I took it with me on a recent trip to Iceland, along with the 2x teleconverter, to see what it was like to use in the field.
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I’ve been using the X-E4 for a couple of weeks shooting around my local streets and here's a look at how I feel about Fuji's latest camera. This isn’t an in-depth review of all the camera's details and features or a technical break down of image quality or a comparison with other cameras. Instead, it’s an overview of how the X-E4 feels to shoot with and what it brings as an update to the X-E3 or alternative to the X-Pro 3
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I've been getting a lot of questions about Fuji's latest tele zoom. In this video I take a practical look a the lens from the point of view of a landscape photographer and compare it with the 55-200mm, which has been my go-to tele-zoom for the last 5 years.
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Fuji's best lens for landscape shooters just received an update. In this video I take a practical look a the lens from the point of view of a landscape photographer and compare it with the original versions, which was the very first lens I bought when I switched to the Fuji system 5 years ago.
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I’ve been using the Fuji X-S10 for about a week now. This isn’t an in-depth review of all the cameras details and features or a technical break down image quality or a comparison with other cameras. Instead, it’s an overview of how the X-S10 compares with the X-T4 and X-T30 for shooting landscapes and video.
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I’ve been using the Fuji X-Pro 3 for about a week now around Lisbon. This isn’t an in-depth review of all the cameras details and features or a technical break down of image quality, rather a practical review about what it's like to shoot with for street photography.
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I’ve been using the Fuji X-T30 for about a month alongside my X-T3 and replacing my X-T20, which was my previous back up camera. This isn’t an in-depth review of all the cameras details and features or a technical break down image quality or a comparison with other cameras. Instead, it’s an overview of how good I feel the X-T30 is for shooting landscapes, and how it compares with the X-T3 and X-T20.
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I’ve been using the Fuji X-T3 for a couple of months now after upgrading from the X-T2 and in this video I’ve tried to give an overview about how good I feel the X-T3 is for shooting landscapes based on my own experience with it and previous X-T series cameras.
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I borrowed the Fujifilm X-H1 last month and spent a week shooting with it in Tuscany comparing it with the X-T2, my usual landscape camera. This isn’t an in-depth review of all the cameras specifications and features, rather I focused on the practical differences I noticed between the two cameras while using them in the field.
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Earlier last month I took the Fujifilm X-E3 with me on my trip to northern Norway’s Lofoten Islands to put it through it’s paces shooting landscapes. The X-E3 is a really similar camera to the X-T20 and recently I’ve been getting a few questions about which to get and what the differences are, so after Fujifilm kindly offered to lend me one I took the X-E3 with me on the trip in place of my usual X-T20.
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The Fujifilm GFX 50S really is a game changer for Fuji. A medium format mirrorless camera, it combines the company’s heritage of classic medium format film cameras like the G690, GS645 and G617 with their retro mirrorless digitalX Series. It’s a fascinating combination and makes sense for a company like Fuji to fuse their decades of experience of medium format film systems with their brilliant mirrorless digital cameras to create a large mirrorless medium camera system that targets users of professional full frame systems like the Nikon D810, the Canon 5DR and the Sony A7R2.
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First off, this isn’t really a review, it’s more an overview of how I feel about the camera after using it since it arrived in November. After 4 months I feel I’ve got to know the camera pretty well, but like my blogs about the X-T1 and X-T10 when I first switched to Fuji, this is in no way meant to be a technical review or a full look at every one of it’s features. There are plenty of those already on the internet, DPreview has probably the best in depth technical review of the camera and all it’s features. Instead I’ll focus on the improvements over the X-T2 that I’ve found particularly useful, and how the camera feels to use for landscape and travel photography.
A little background to start: It’s been about a year an a half since my switch from Nikon to Fuji, and over those 18 months I’ve been constantly impressed by pretty much everything about the Fuji X System and Fujifilms approach to their cameras and lenses.
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I've just returned from 25 days in Indonesia, my first trip with Fuji cameras and my first trip without a large dSLR. We traveled the entire length of Java and Bali overland so it was important to me to have a camera that wouldn't feel heavy and cumbersome to carry around, but also one I could completely rely on to produce excellent image quality.
The experience of traveling with Fuji cameras has been a revelation! Not only in how much lighter, smaller and easier to carry around it all is, but how I've not once missed my old Nikon in terms of image quality or autofocus in any of the many situations I've encountered, from fast moving street scenes to dynamically lit landscapes. They've been brilliant, reliable and a consistent pleasure to use.
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