I love the Dolomites. The jagged spires and peaks are my favourite landscape to photograph and every time I’m back there I find new inspiration. Photographing these same mountains blanketed in winter snow was something I’d wanted to do for a long time
Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
Earlier this month I spent 10 days in Lofoten running a landscape photography workshop with Jonas Paurell from Vagabond Expeditions. Jonas gets to work with lots of incredible photographers like Thomas Heaton and Morten Hilmer and has started a film series where he interviews each one about photography and the creative proces
I got the chance to spend two weeks in shooting in the Dolomites with the Fujifilm GFX 50R earlier this month, and here's a video review I put together. Like all my reviews it's in no way technical or focused on specs or comparisons, but instead based on my experiences shooting with the camera and working with it in the field.
If like me, you love shooting wide angle landscapes then the Fuji XF8-16 f2.8 lens with weather sealing has probably been on your radar since it first appeared on the Fuji roadmap last year. I’ve been happily using the 10-24mm since I switched to Fuji about three and a half years ago, it’s my most used lens by a long way, so I’ve been wanting to have a look at this lens for while now and see if it can replace the 10-24mm as my go-to wide angle zoom.
The ideas in this video have been buzzing around my head for a while now and this is an attempt to try to identify what it is that compels us to head out into the landscape to make images, and whether an understanding of that can help us to take better photos...or at least images we’re more satisfied with.
How many lenses do you really need for landscape photography? I really believe that two lenses is enough for the vast majority of landscape photography, and that that, the less gear we haul up a mountain with us, the lighter we travel, the clearer our mind is to make images when we get to our destination.
Back in June and July I ran a two eight day workshops in Iceland, home to some of the most dramatic and photogenic landscapes on the planet. It's always a pleasure to return to Iceland, and showing it to people on a workshop for the first time, seeing people just go "wow, what an amazing place" is one of the best parts of my job.
Last month I spent around 3 weeks in Iceland running a couple of landscape photography workshops there. Between the two workshops we had a day off and along with a couple of the participants, I decided to take the opportunity to do a photography flight above the river deltas and highlands. It's something I've wanted to do for a couple of years and it really didn't disappoint.
I'm really excited to announce that I'll be teaming up with Jonas Paurell of Vagabond Expeditions to run a photography expedition to the Arctic Circle in February next year. We'll be using dog sleds, snow-mobiles and snowshoes to explore Swedish Lapland, meeting the semi-nomadic reindeer herding Sámi communities and experiencing the northern lights in this incredible winter landscape.
I borrowed the Fujifilm X-H1 last month and spent a week shooting with it in Tuscany comparing it with the X-T2, my usual landscape camera. This isn’t an in-depth review of all the cameras specifications and features, rather I focused on the practical differences I noticed between the two cameras while using them in the field.
I’ve just returned from leading a workshop in the gorgeous rolling hills of Tuscany and next month I’ll be in Iceland to lead two workshops in some of the most stunning landscapes in the world. However, when I’m not travelling I often lead small or 1-to-1 workshops in my home city of Lisbon and on the coast here.