ICELAND SUMMER WORKSHOP TRIP REPORT

ICELAND SUMMER WORKSHOP TRIP REPORT

Earlier this summer I spent a week or so in Iceland leading a summer workshop there with fellow photographer Andrea Livieri and we had some spectacular conditions. We had a fantastic group of six people, none of whom had visited Iceland before and spent our first evening in Reykjavik getting to know everyone over dinner.

TUSCANY IN MAY WORKSHOP

TUSCANY IN MAY WORKSHOP

When I first got interested in landscape photography I started to come across images from Tuscany taken by Charlie Waite and it was always a place I wanted to visit. I made my first photography trip there ten years ago in 2009, returning many times over the years to lead workshops, and it never fails to inspire. This year's workshop took place, as usual, in early May when the hills are lush green and the flowers are in bloom and the changeable spring weather brings dynamic light and a good chance of mist in the mornings.

THE FAROE ISLANDS IN APRIL

THE FAROE ISLANDS IN APRIL

Back in April I spent ten days in the Faroe Islands with my good friend and workshop co-leader Andrea Livieri as we scouted out some locations for our workshop there next year. The Faroes are an incredible place situated in the middle of the Atlantic Ocean midway between the Shetland Isles and Iceland, they have a little of both culturally, but the landscape is completely unique.

A WEEK IN THE DOLOMITES IN WINTER

A WEEK IN THE DOLOMITES IN WINTER

I love the Dolomites. The jagged spires and peaks are my favourite landscape to photograph and every time I’m back there I find new inspiration. Photographing these same mountains blanketed in winter snow was something I’d wanted to do for a long time

MOUNTAIN PHOTOGRAPHY - CAPTURE TO EDITING

MOUNTAIN PHOTOGRAPHY - CAPTURE TO EDITING

Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.

7 TIPS FOR WINTER PHOTOGRAPHY

7 TIPS FOR WINTER PHOTOGRAPHY

Winter is upon us and in my latest video I look at seven tips, artistic and practical, for taking landscape photography images in winter.

ICELAND - THE HIGHLANDS WORKSHOP

ICELAND - THE HIGHLANDS WORKSHOP

Early in the summer I was in Iceland running a couple of workshops. The first was around Iceland’s famous ring-road but the second saw us switch to a modified Land Rover Defender and head into the depths of the Highlands.

ICELAND - LAND OF FIRE & ICE WORKSHOP

ICELAND - LAND OF FIRE & ICE WORKSHOP

Back in June and July I ran a two eight day workshops in Iceland, home to some of the most dramatic and photogenic landscapes on the planet.  It's always a pleasure to return to Iceland, and showing it to people on a workshop for the first time, seeing people just go "wow, what an amazing place" is  one of the best parts of my job.

AERIAL PHOTOGRAPHY IN ICELAND

AERIAL PHOTOGRAPHY IN ICELAND

Last month I spent around 3 weeks in Iceland running a couple of landscape photography workshops there.  Between the two workshops we had a day off and along with a couple of the participants, I decided to take the opportunity to do a photography flight above the river deltas and highlands.  It's something I've wanted to do for a couple of years and it really didn't disappoint.

TUSCANY IN SPRING WORKSHOP

TUSCANY IN SPRING WORKSHOP

Earlier this month I was one of the co-leaders on the Light Explorers' Tuscany In Spring workshop.  We spent five days at a fantastic hotel just outside San Quirico d'Orcia with an awesome group of people shooting amongst the gorgeous rolling hills of Tuscany

THE LOFOTEN ISLANDS: PART 2

THE LOFOTEN ISLANDS: PART 2

Pretty soon into our  trip to Lofoten we realized the sunrises were oftern something special there.  The high latitude means that the sun rises quite slowly above the ocean casting it’s light almost horizontally onto the snowy peaks and bouncing off the bottom of any clouds.  It really is wonderful.

THE LOFOTEN ISLANDS: PART 1

THE LOFOTEN ISLANDS: PART 1

Back at the beginning of March I headed to the Lofoten Islands in northern Norway with Kostas and Konstantinos, my colleagues from Light Explorer Photography Workshops, to spend some time shooting in this incredible place. There’s something about snow covered landscapes that’s so incredibly evocative, especially since where I live in Lisbon winter just means grey clouds and rain.

REVIEW - WD MY PASSPORT WIRELESS SSD FOR TRAVELLING PHOTOGRAPHERS

REVIEW - WD MY PASSPORT WIRELESS SSD FOR TRAVELLING PHOTOGRAPHERS

The Western Digital My Passport Wireless SSD is the latest iteration of a portable back up hard drive that WD started with the Ultra a few years ago, and for me is an absolutely essential piece of kit for any travelling photographer.

FIRST WORKSHOP OF THE YEAR

FIRST WORKSHOP OF THE YEAR

Kicked off 2018 with my first workshop of the year the other week. It’s going to be an exciting year with workshops in Tuscany, Iceland and Italy, as well as trips to Lofoton, and possibly more, planned so far. I always enjoy meeting new people and sharing locations and photography tips with workshop participants is one of the best parts of the job. This time it was a local workshop with some time spent shooting on the west coast, a sunrise at Vasco da Gama bridge and then some street shooting around the old neighbourhood.

STREET SHOOTING IN VENICE WITH A FUJI X-T20

STREET SHOOTING IN VENICE WITH A FUJI X-T20

Back in the autumn Teresa and I spent two weeks in the Dolomite mountains amongst some of the most beautiful landscapes in Europe. The gateway airport is Venice, a 2 hour drive away from Cortina d’Ampezzo, and it seemed silly to pass through the airport and not spend any time in the city. I’d never actually spent any time there, and Teresa had been there back when she was inter-railing in her 20s, so we booked a few nights in a hotel there after we returned from shooting in the mountains.

THE DOLOMITES PART 2: TRE CIME AND CIVETTA

THE DOLOMITES PART 2:  TRE CIME AND CIVETTA

After leaving Val Gardena we headed east, first through Passo Sella which sits between the peaks of Sassalongo and the cliffs of the Sella towers, then following the hairpin roads twisting down the valley, then up again to the Passo Pordoi and down to the village of Arraba

VIDEO - 6 TIPS FOR LANDSCAPE PHOTOGRAPHY COMPOSITION

VIDEO - 6 TIPS FOR LANDSCAPE PHOTOGRAPHY COMPOSITION

Composition is one of the most important aspects of creating good photographs...and because of it’s abstract nature perhaps one of the trickiest to understand. Just what is the best way to arrange the various separate elements of a three dimensional scene into an effective and cleanly composed two dimensional image?

THE DOLOMITES PART 1: CRODA DA LAGO TO SECEDA

THE DOLOMITES PART 1:  CRODA DA LAGO TO SECEDA

Back in the autumn I spent a couple of weeks travelling in the Italian Dolomites, some of the most beautiful mountains in Europe. I’d planned the trip at this time of year as late September/early October is when the trees are starting to turn golden and when the tourist season has passed leaving the trails and many of the more popular locations empty.

NEW WORKSHOP WEBSITE LAUNCHED

NEW WORKSHOP WEBSITE LAUNCHED

After months of work we've finally launched the new Light Explorers Workshop website. Light Explorers is a landscape photography workshop company I run with my two fellow landscape photographers Konstantinos Vasilakis and Kostas Petrakis, and this year we've been putting together four workshops to some truly locations in Italy and Iceland which we'll be running in 2018.

FUJIFILM X-T20 - A PRACTICAL COMPARISON WITH THE X-T2

FUJIFILM X-T20 - A PRACTICAL COMPARISON WITH THE X-T2

My first Fuji camera back in 2015 was the X-T10 which I bought at the time with the intention of using as a back up camera to my Nikon D800E. I was immediately impressed with what a pleasure it was to use and how good the image quality was. It also struck me that it was laudable of Fuji to give exactly the same sensor and image quality from their flagship cameras to a lower end model.