I love the Dolomites. The jagged spires and peaks are my favourite landscape to photograph and every time I’m back there I find new inspiration. Photographing these same mountains blanketed in winter snow was something I’d wanted to do for a long time
Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
One of the things I’m most excited about doing in 2017 is learning how to use video more. There’s such a massive potential now with so many really portable high quality video cameras on the market, as well as the fact that Fujifilm have well and truly nailed video in their new cameras.
Of course this means learning a whole host of new skills, from shooting video and capturing good audio, to editing the footage and cutting music in. Then there are screen recordings, time lapses, there’s just a lot to learn and it’s going to take a long time till I’ll feel remotely competent.
Back in October I got together with Hugo and Mauricio of Fuji X Passion to make a film about shooting landscapes on the coast of Portugal. We wanted to make a film that captured the spirit of photography, as well as covering all the practices in the field as well as post processing.
Despite being pretty unlucky with the weather, which is usually interesting in October, we had a lot of fun shooting at one of my favourite locations, the beach of Praia d'Ouriçal at Portugal's westernmost tip of Cabo da Roca. It's a tricky beach to access and carrying numerous cameras, a drone, heavy video tripods and 5 or 6 bags down to the beach was a lot of fun, but it's the kind of place that when you arrive it always feels worth the effort.
We shot the ocean here, looking at how to capture movement in the water and composition, and despite having heavy cloud and little direct light, it's still an atmospheric and fascinating location to shoot.