I’ve been using the Mavic 2 Pro for a couple of months now and it’s a big improvement over the original Mavic Pro, so here’s a brief review and a look at the settings I’ve found which can really get the most out of the sensor.
Tuscany is one of those iconic landscape locations I’d longed to photograph since I first saw pictures of it in the first photography books I ever bought. It was one of the first photography trips I ever made back in 2009 and I immediately fell in love with the area. It’s a beautiful rural landscape, all gentle rolling hills, vineyards and medieval hilltop towns, and so I was excited to be heading back there again this spring with two good friends and fantastic photographers Konstantinos Vasilakis and Kostas Petrakis. We’ll be running a workshop there next year, so our plan for this trip was to finalise all the practicalities and ensure that everything we needed was in place, but of course we also intended to do plenty of photography.
I've been fascinated by drones for a number of years and tempted to get one. The thing that has always put me off is how big and bulky they are. Even a smaller drone like the DJI Phantom is a cumbersome object that fills it's own backpack. There's no way I could see being able to incorporate a drone like that into my shooting kit, which I like to keep as small and lightweight as possible. I knew that what would happen with a drone like that would be that it would get left behind more often than not as taking it with me would mean leaving other things behind or carrying very large and bulky bag.
So when DJI announced the Mavic Pro back in October I was really intrigued. After reading the first reviews, I ordered one and then waited for it to arrive. And waited...