Clear blue skies with no drama are some of the hardest conditions to make impactful images in. I was recently in the Dolomites where we had clear skies most days, and in this video I go through my workflow, from composition to image processing, trying to get the best out of the conditions.
Read MoreThe deserted diamond mining town is slowly being reclaimed by the desert. It's a fascinated place to photograph, but comes with some challenges.
Read MoreDuring my trip to Namibia earlier this summer we spent a few nights camping out on the Skeleton Coast where the towering dunes meet the ocean.
Read MoreThis is the first video from my recent Lofoten in Winter workshop. Like my previous videos from the Dolomites is used an iPhone and a DJI Osmo 3 gimbal to record behind the scenes of my recent workshop there, explaining some of the locations and outlining the thought process behind some of the images.
Read MoreI love the Dolomites. The jagged spires and peaks are my favourite landscape to photograph and every time I’m back there I find new inspiration. Photographing these same mountains blanketed in winter snow was something I’d wanted to do for a long time
Read MoreEarly in the summer I was in Iceland running a couple of workshops. The first was around Iceland’s famous ring-road but the second saw us switch to a modified Land Rover Defender and head into the depths of the Highlands.
Read MoreBack in June and July I ran a two eight day workshops in Iceland, home to some of the most dramatic and photogenic landscapes on the planet. It's always a pleasure to return to Iceland, and showing it to people on a workshop for the first time, seeing people just go "wow, what an amazing place" is one of the best parts of my job.
Read MoreLast month I spent around 3 weeks in Iceland running a couple of landscape photography workshops there. Between the two workshops we had a day off and along with a couple of the participants, I decided to take the opportunity to do a photography flight above the river deltas and highlands. It's something I've wanted to do for a couple of years and it really didn't disappoint.
Read MoreI'm really excited to announce that I'll be teaming up with Jonas Paurell of Vagabond Expeditions to run a photography expedition to the Arctic Circle in February next year. We'll be using dog sleds, snow-mobiles and snowshoes to explore Swedish Lapland, meeting the semi-nomadic reindeer herding Sámi communities and experiencing the northern lights in this incredible winter landscape.
Read MoreEarlier this month I was one of the co-leaders on the Light Explorers' Tuscany In Spring workshop. We spent five days at a fantastic hotel just outside San Quirico d'Orcia with an awesome group of people shooting amongst the gorgeous rolling hills of Tuscany
Read MoreI’ve just returned from leading a workshop in the gorgeous rolling hills of Tuscany and next month I’ll be in Iceland to lead two workshops in some of the most stunning landscapes in the world. However, when I’m not travelling I often lead small or 1-to-1 workshops in my home city of Lisbon and on the coast here.
Read MoreAfter months of work we've finally launched the new Light Explorers Workshop website. Light Explorers is a landscape photography workshop company I run with my two fellow landscape photographers Konstantinos Vasilakis and Kostas Petrakis, and this year we've been putting together four workshops to some truly locations in Italy and Iceland which we'll be running in 2018.
Read MoreIn a country of truly beautiful landscapes, the interior highlands of Iceland offers perhaps the most stunning scenery in the country. Surrounded by glaciers penned in between mountains, it’s a constantly changing alien landscape of black deserts, colourful rhyolite hills, snow-capped mountains, moss covered peaks, crater lakes and plunging waterfalls. After my first trip there 5 years ago whet my appetite I’ve always wanted to go back and explore it more.
Read MoreBack in October I got together with Hugo and Mauricio of Fuji X Passion to make a film about shooting landscapes on the coast of Portugal. We wanted to make a film that captured the spirit of photography, as well as covering all the practices in the field as well as post processing.
Despite being pretty unlucky with the weather, which is usually interesting in October, we had a lot of fun shooting at one of my favourite locations, the beach of Praia d'Ouriçal at Portugal's westernmost tip of Cabo da Roca. It's a tricky beach to access and carrying numerous cameras, a drone, heavy video tripods and 5 or 6 bags down to the beach was a lot of fun, but it's the kind of place that when you arrive it always feels worth the effort.
We shot the ocean here, looking at how to capture movement in the water and composition, and despite having heavy cloud and little direct light, it's still an atmospheric and fascinating location to shoot.
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