When I first got interested in landscape photography I started to come across images from Tuscany taken by Charlie Waite and it was always a place I wanted to visit. I made my first photography trip there ten years ago in 2009, returning many times over the years to lead workshops, and it never fails to inspire. This year's workshop took place, as usual, in early May when the hills are lush green and the flowers are in bloom and the changeable spring weather brings dynamic light and a good chance of mist in the mornings.
Back in April I spent ten days in the Faroe Islands with my good friend and workshop co-leader Andrea Livieri as we scouted out some locations for our workshop there next year. The Faroes are an incredible place situated in the middle of the Atlantic Ocean midway between the Shetland Isles and Iceland, they have a little of both culturally, but the landscape is completely unique.
I’ve been using the Fuji X-T30 for about a month alongside my X-T3 and replacing my X-T20, which was my previous back up camera. This isn’t an in-depth review of all the cameras details and features or a technical break down image quality or a comparison with other cameras. Instead, it’s an overview of how good I feel the X-T30 is for shooting landscapes, and how it compares with the X-T3 and X-T20.
Less than two weeks after returning from Lofoten I was heading out there again for a second workshop. As soon as I landed at Oslo it was immediately apparent that a lot of the snow from earlier in the month had disappeared, and then when I arrived in Lofoten, after a pretty windy final stage of the flight, I was amazed at how different the landscape was
This winter I did two workshops in Lofoten, the first in February with Jonas from Vagabond Expeditions. I love Lofoten in Winter, it’s an amazing place and I was really excited this winter to be going there twice
Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
Earlier this month I spent 10 days in Lofoten running a landscape photography workshop with Jonas Paurell from Vagabond Expeditions. Jonas gets to work with lots of incredible photographers like Thomas Heaton and Morten Hilmer and has started a film series where he interviews each one about photography and the creative proces
I got the chance to spend two weeks in shooting in the Dolomites with the Fujifilm GFX 50R earlier this month, and here's a video review I put together. Like all my reviews it's in no way technical or focused on specs or comparisons, but instead based on my experiences shooting with the camera and working with it in the field.
If like me, you love shooting wide angle landscapes then the Fuji XF8-16 f2.8 lens with weather sealing has probably been on your radar since it first appeared on the Fuji roadmap last year. I’ve been happily using the 10-24mm since I switched to Fuji about three and a half years ago, it’s my most used lens by a long way, so I’ve been wanting to have a look at this lens for while now and see if it can replace the 10-24mm as my go-to wide angle zoom.
The ideas in this video have been buzzing around my head for a while now and this is an attempt to try to identify what it is that compels us to head out into the landscape to make images, and whether an understanding of that can help us to take better photos...or at least images we’re more satisfied with.
How many lenses do you really need for landscape photography? I really believe that two lenses is enough for the vast majority of landscape photography, and that that, the less gear we haul up a mountain with us, the lighter we travel, the clearer our mind is to make images when we get to our destination.