tutorials

DJI MAVIC PRO - BEST SETTINGS

DJI MAVIC PRO - BEST SETTINGS

I've been playing around with the Mavic Pro for about 3 months now, getting more confident with flying it and trying to get the best out of the drone.  I've experimented with both the camera and gimbal settings to try to get the footage looking as smooth as possible, and last week headed out to the forests of Sintra at sunrise to make a short video about what I've found works best.

The camera is sensitive to sharpening.  Reduce it too much and the Mavics noise reduction turns shadows into mush, removing detail that's impossible to put back in editing, but have the sharpening too high and it produces a lot of artefacts and moiré in repeated detail.  

SHOOTING STARS ON LISBON'S WEST COAST - VIDEO

SHOOTING STARS ON LISBON'S WEST COAST - VIDEO

One of the things I’m most excited about doing in 2017 is learning how to use video more. There’s such a massive potential now with so many really portable high quality video cameras on the market, as well as the fact that Fujifilm have well and truly nailed video in their new cameras.

Of course this means learning a whole host of new skills, from shooting video and capturing good audio, to editing the footage and cutting music in. Then there are screen recordings, time lapses, there’s just a lot to learn and it’s going to take a long time till I’ll feel remotely competent.

SHOOTING A FILM WITH FUJI X PASSION

SHOOTING A FILM WITH FUJI X PASSION

Back in October I got together with Hugo and Mauricio of Fuji X Passion to make a film about shooting landscapes on the coast of Portugal.  We wanted to make a film that captured the spirit of photography, as well as covering all the practices in the field as well as post processing.  

Despite being pretty unlucky with the weather, which is usually interesting in October, we had a lot of fun shooting at one of my favourite locations, the beach of Praia d'Ouriçal at Portugal's westernmost tip of Cabo da Roca.  It's a tricky beach to access and carrying numerous cameras, a drone, heavy video tripods and 5 or 6 bags down to the beach was a lot of fun, but it's the kind of place that when you arrive it always feels worth the effort.

 We shot the ocean here, looking at how to capture movement in the water and composition, and despite having heavy cloud and little direct light, it's still an atmospheric and fascinating location to shoot.