This winter I did two workshops in Lofoten, the first in February with Jonas from Vagabond Expeditions. I love Lofoten in Winter, it’s an amazing place and I was really excited this winter to be going there twice
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I love the Dolomites. The jagged spires and peaks are my favourite landscape to photograph and every time I’m back there I find new inspiration. Photographing these same mountains blanketed in winter snow was something I’d wanted to do for a long time
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Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
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Earlier this month I spent 10 days in Lofoten running a landscape photography workshop with Jonas Paurell from Vagabond Expeditions. Jonas gets to work with lots of incredible photographers like Thomas Heaton and Morten Hilmer and has started a film series where he interviews each one about photography and the creative proces
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Early in the summer I was in Iceland running a couple of workshops. The first was around Iceland’s famous ring-road but the second saw us switch to a modified Land Rover Defender and head into the depths of the Highlands.
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There are certain tips and pieces of advice that I find myself giving more than anything else during workshops or in response to email enquiries, and in this video I've tried to put them all together.
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Back in June and July I ran a two eight day workshops in Iceland, home to some of the most dramatic and photogenic landscapes on the planet. It's always a pleasure to return to Iceland, and showing it to people on a workshop for the first time, seeing people just go "wow, what an amazing place" is one of the best parts of my job.
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I'm really excited to announce that I'll be teaming up with Jonas Paurell of Vagabond Expeditions to run a photography expedition to the Arctic Circle in February next year. We'll be using dog sleds, snow-mobiles and snowshoes to explore Swedish Lapland, meeting the semi-nomadic reindeer herding Sámi communities and experiencing the northern lights in this incredible winter landscape.
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Earlier this month I was one of the co-leaders on the Light Explorers' Tuscany In Spring workshop. We spent five days at a fantastic hotel just outside San Quirico d'Orcia with an awesome group of people shooting amongst the gorgeous rolling hills of Tuscany
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I’ve just returned from leading a workshop in the gorgeous rolling hills of Tuscany and next month I’ll be in Iceland to lead two workshops in some of the most stunning landscapes in the world. However, when I’m not travelling I often lead small or 1-to-1 workshops in my home city of Lisbon and on the coast here.
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Pretty soon into our trip to Lofoten we realized the sunrises were oftern something special there. The high latitude means that the sun rises quite slowly above the ocean casting it’s light almost horizontally onto the snowy peaks and bouncing off the bottom of any clouds. It really is wonderful.
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Light is the raw material of photography and “good light” is something all landscape photographers seek. In this video I take a look at the quality of light at different times of day and in different weather conditions, focusing on the golden hour, the blue hour and overcast light.
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Back at the beginning of March I headed to the Lofoten Islands in northern Norway with Kostas and Konstantinos, my colleagues from Light Explorer Photography Workshops, to spend some time shooting in this incredible place. There’s something about snow covered landscapes that’s so incredibly evocative, especially since where I live in Lisbon winter just means grey clouds and rain.
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Wide angles are the obvious choice for a lens when shooting landscapes, but there are plenty of times when you really need to have a telephoto lens in your camera bag to get the most out of a scene.
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Kicked off 2018 with my first workshop of the year the other week. It’s going to be an exciting year with workshops in Tuscany, Iceland and Italy, as well as trips to Lofoton, and possibly more, planned so far. I always enjoy meeting new people and sharing locations and photography tips with workshop participants is one of the best parts of the job. This time it was a local workshop with some time spent shooting on the west coast, a sunrise at Vasco da Gama bridge and then some street shooting around the old neighbourhood.
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After leaving Val Gardena we headed east, first through Passo Sella which sits between the peaks of Sassalongo and the cliffs of the Sella towers, then following the hairpin roads twisting down the valley, then up again to the Passo Pordoi and down to the village of Arraba
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Composition is one of the most important aspects of creating good photographs...and because of it’s abstract nature perhaps one of the trickiest to understand. Just what is the best way to arrange the various separate elements of a three dimensional scene into an effective and cleanly composed two dimensional image?
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Back in the autumn I spent a couple of weeks travelling in the Italian Dolomites, some of the most beautiful mountains in Europe. I’d planned the trip at this time of year as late September/early October is when the trees are starting to turn golden and when the tourist season has passed leaving the trails and many of the more popular locations empty.
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After months of work we've finally launched the new Light Explorers Workshop website. Light Explorers is a landscape photography workshop company I run with my two fellow landscape photographers Konstantinos Vasilakis and Kostas Petrakis, and this year we've been putting together four workshops to some truly locations in Italy and Iceland which we'll be running in 2018.
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I’ve just finished leading the Wild Coast, Lisbon workshop on Portugal’s west coast, an area I’ve been photographing for over 10 years. Workshops are always lots of fun, it’s such a great experience to be able to lead people to some of my favourite locations and help people develop their technique.
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