This is the second video from my February workshop in the Lofoten Islands. Like my previous videos I go through the thought process behind some of the images and explain some of the locations while we're behind the scenes on the workshop.
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This is the first video from my recent Lofoten in Winter workshop. Like my previous videos from the Dolomites is used an iPhone and a DJI Osmo 3 gimbal to record behind the scenes of my recent workshop there, explaining some of the locations and outlining the thought process behind some of the images.
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This is the second video from my recent Dolomites in Winter workshop. I thought it would be interesting to shoot some video during the workshops and then to analyse some of the images that I shot while in the field, and as I wanted to shoot as spontaneously and discretely as possible most of the footage was shot with an iPhone 11 and a DJI Osmo Mobile 3.
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At this time of year I spend a lot of time travelling and leading workshops, and in the past I've not filmed videos during the workshops, but this year I thought it would be interesting to shoot some video during the workshops and then to analyse some of the images that I shot while in the field. I wanted to shoot as spontaneously and discretely as possible, so most of the footage was shot with an iPhone 11 and a DJI Osmo Mobile 3.
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In this video I go over the Lightroom editing techniques I use on my own landscape photography images. The philosophy behind image editing is to enhance the mood already present in the RAW capture by using contrast draw attention to different parts of the image.
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About a year ago I put out a film about the 7 most important things I've leaned in landscape photography, and in that year I've compiled a list of 6 more tips and pieces of advice that I've find myself giving while leading workshops and put them into a new video.
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I started using Capture One about 9 months ago and in that time it's slowly replaced Lightroom as my main image editor. Since I’ve used it in some of my workflow videos it’s something that I’ve received a lot go questions about so I’ve decide to put together this overview of Capture One looking at my own experience as a landscape photography and explaining a few tips that I’ve found made the learning curve a little easier, as well as a few tips that I use for post processing my images.
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Whenever we go anywhere to take landscape images, it's pretty much impossible to avoid expectation. We have certain expectations of what a place will be like and what kind of image we'll shoot, but often these expectations affect our appreciation of a scene and hinder our ability to create images there.
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I love colourful sunrises and sunsets with beautiful warm golden light illuminating the landscape, but when you’ve dragged yourself out of bed in the dark and up a mountain and the weather doesn’t give you what you want, there’s still the possibility to capture stark moody landscapes.
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Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
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The ideas in this video have been buzzing around my head for a while now and this is an attempt to try to identify what it is that compels us to head out into the landscape to make images, and whether an understanding of that can help us to take better photos...or at least images we’re more satisfied with.
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Winter is upon us and in my latest video I look at seven tips, artistic and practical, for taking landscape photography images in winter.
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How many lenses do you really need for landscape photography? I really believe that two lenses is enough for the vast majority of landscape photography, and that that, the less gear we haul up a mountain with us, the lighter we travel, the clearer our mind is to make images when we get to our destination.
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There are certain tips and pieces of advice that I find myself giving more than anything else during workshops or in response to email enquiries, and in this video I've tried to put them all together.
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Last month I spent around 3 weeks in Iceland running a couple of landscape photography workshops there. Between the two workshops we had a day off and along with a couple of the participants, I decided to take the opportunity to do a photography flight above the river deltas and highlands. It's something I've wanted to do for a couple of years and it really didn't disappoint.
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Light is the raw material of photography and “good light” is something all landscape photographers seek. In this video I take a look at the quality of light at different times of day and in different weather conditions, focusing on the golden hour, the blue hour and overcast light.
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Since I first started landscape photography I’ve always enjoyed making long exposure images of water. I love the surreal feel it gives the landscape, and in this video I discuss the gear and technique required to shoot them at one of my favourite locations in Carrasquiera, Portugal
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Wide angles are the obvious choice for a lens when shooting landscapes, but there are plenty of times when you really need to have a telephoto lens in your camera bag to get the most out of a scene.
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Composition is one of the most important aspects of creating good photographs...and because of it’s abstract nature perhaps one of the trickiest to understand. Just what is the best way to arrange the various separate elements of a three dimensional scene into an effective and cleanly composed two dimensional image?
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